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	<title>Comments on: Vermont Studio Center, Part III</title>
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	<link>http://thinkingaboutmyart.com/2010/02/07/vermont-studio-center-part-iii/</link>
	<description>A view into J.T. Kirkland&#039;s art practice</description>
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		<title>By: Chris Rywalt</title>
		<link>http://thinkingaboutmyart.com/2010/02/07/vermont-studio-center-part-iii/#comment-251</link>
		<dc:creator><![CDATA[Chris Rywalt]]></dc:creator>
		<pubDate>Tue, 09 Feb 2010 20:04:16 +0000</pubDate>
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		<description><![CDATA[I&#039;m personally glad Tracy could help you, J.T.  That makes me happy.

I think #2 and #3 here are the best so far.  I think #1 would&#039;ve gone better without the holes, but it seems you worked that out on your own.

I kind of like the &lt;i&gt;wabi sabi&lt;/i&gt; character of the pinstripe in #7 but I can see how it&#039;s not your style.  I&#039;d only note that pinstriping is challenging, especially without the right tools.  A good liner brush is key.  A liner brush and a &lt;i&gt;lot&lt;/i&gt; of practice.  Or you can just go back to taping, which is fine.

#3 reminds me of a 1950s design with the wall behind it.  It has that groovy Saul Bass kind of thing happening, like a jazzy cartoon, and the wood reminds me of wood paneling behind the &#039;toon.  Like if you could pan down you&#039;d see a &lt;a href=&quot;http://www.vintagelooks.com/detail.asp?product_id=hw-9998&quot; rel=&quot;nofollow&quot;&gt;groovy sofa&lt;/a&gt;.  And maybe a guy with a pipe and a highball.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m personally glad Tracy could help you, J.T.  That makes me happy.</p>
<p>I think #2 and #3 here are the best so far.  I think #1 would&#8217;ve gone better without the holes, but it seems you worked that out on your own.</p>
<p>I kind of like the <i>wabi sabi</i> character of the pinstripe in #7 but I can see how it&#8217;s not your style.  I&#8217;d only note that pinstriping is challenging, especially without the right tools.  A good liner brush is key.  A liner brush and a <i>lot</i> of practice.  Or you can just go back to taping, which is fine.</p>
<p>#3 reminds me of a 1950s design with the wall behind it.  It has that groovy Saul Bass kind of thing happening, like a jazzy cartoon, and the wood reminds me of wood paneling behind the &#8216;toon.  Like if you could pan down you&#8217;d see a <a href="http://www.vintagelooks.com/detail.asp?product_id=hw-9998" rel="nofollow">groovy sofa</a>.  And maybe a guy with a pipe and a highball.</p>
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		<title>By: Tracy</title>
		<link>http://thinkingaboutmyart.com/2010/02/07/vermont-studio-center-part-iii/#comment-249</link>
		<dc:creator><![CDATA[Tracy]]></dc:creator>
		<pubDate>Mon, 08 Feb 2010 15:35:05 +0000</pubDate>
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		<description><![CDATA[These images look great, J.T.! You did a great job with the photos, I am envious. And thanks for making me sound like I maybe knew what I was talking about concerning your work;))]]></description>
		<content:encoded><![CDATA[<p>These images look great, J.T.! You did a great job with the photos, I am envious. And thanks for making me sound like I maybe knew what I was talking about concerning your work;))</p>
]]></content:encoded>
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		<title>By: John M. Adams</title>
		<link>http://thinkingaboutmyart.com/2010/02/07/vermont-studio-center-part-iii/#comment-248</link>
		<dc:creator><![CDATA[John M. Adams]]></dc:creator>
		<pubDate>Mon, 08 Feb 2010 15:14:19 +0000</pubDate>
		<guid isPermaLink="false">http://thinkingaboutmyart.com/?p=184#comment-248</guid>
		<description><![CDATA[It&#039;s really great that you were able to have this experience JT - I think it just sunk in that even though you have been heavily involved in the DC art scene, you never had an experience  where you were working in close proximity to other artists having regular visits and even more structured critiques.  Seems like you got so much out of it - GREAT!
Is your street plowed yet - when  can I come over?]]></description>
		<content:encoded><![CDATA[<p>It&#8217;s really great that you were able to have this experience JT &#8211; I think it just sunk in that even though you have been heavily involved in the DC art scene, you never had an experience  where you were working in close proximity to other artists having regular visits and even more structured critiques.  Seems like you got so much out of it &#8211; GREAT!<br />
Is your street plowed yet &#8211; when  can I come over?</p>
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