December 30, 2009...5:10 pm

Subtlety in Contemporary Art

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It has been evident in the images of my recent work that certain subtleties are not easily seen.  Admittedly, I am not the most skilled studio photographer in the world, but these subtle changes in clear coat sheen are sometimes hard to see in person, much less in a jpg.  When I share my work with you on this blog, much of the most important aspects of the work are not seen at all.  This is not a good thing.

With the increased use of the internet, art is most commonly viewed on a computer screen.  We know this is no way to view art, but it’s just the way it is.  We know that art cannot be judged by a digital image, yet we are forced to do so anyway.  Perhaps the image is just not well done.  Perhaps texture and physicality are lost.  Perhaps one viewer’s monitor is calibrated much differently than someone else’s.  There are many unknowns when sharing a digital image of your work, but it’s a fact of life for a contemporary artist.  Posting images online allows us to reach a bigger audience than we would have otherwise, so we continue to do it.

I think artists are becoming more and more accustomed to the challenges of sharing work digitally.  Because of this, I wonder if any artists have been inclined to change their work in order for it to look better on the Web.  I’ve dealt with this issue for as long as I’ve been an artist.  But with my most recent work, the pitfalls of showing my work online can no longer be ignored.  I’ve had to ask myself, should I continue to pursue this work knowing that every single online viewer will miss a huge part of the work?  Will this prevent me from getting show opportunities?  Will collectors hesitate to show interest in the work?

The decision I ultimately reached is that I cannot change the course of my practice solely because the jpgs of my work fail to communicate some aspect of it.  I believe in my work.  I think in general it is showing promise.  And I realize that because of the failures of the image, I may lose out on opportunities.  My hope is that what viewers do see in the work is enough for them to remain open-minded about it, at least until they are able to see it in person.

When I think about contemporary art, work that makes use of some sort of subtlety does not come to mind.  In fact, I can’t think of a single artist whose work loses some key detail in digital images.  Is there no place for subtlety in contemporary art?  Have artists abandoned it?  Are there artists who I’m forgetting who face this same issue?  Certainly no artist is completely happy with digital images of their work, but how many completely lose a key part of the work?

Have you faced similar issues with your work?  Does some key component of your work simply not appear in digital images?  Have you been tempted to change your work to something that will photograph better?

I’m just full of questions about this topic, aren’t I?

4 Comments

  • You are smart not to change what you do based on how it can be captured with photography. The most important thing as that you believe in what you are doing, everything has to follow from that.

    I deal with the same issue but not to the extent that you do. Images can at least capture the color and form of my work, but there is no way to translate the depth of the figure in the wood — the sense of three dimensionality, or the movement that you see as you walk by a piece. My strategy for over-coming the limitation of photography is getting the work in front of as many people as possible by doing art/craft shows.

    By the way, photographs of Rebecca Purdum’s work are completely worthless. Part of the problem that when the work is scaled down, you loose all the detail, but another part of the problem is that the color changes are very subtle. You have to be very close to really appreciate them.

  • I think you raise some very valid concerns; we do judge via the screen and, as you say, so much is lost. I guess it makes it all the more important to talk about our work, and to have a really good artist’s statement. Beyond that, I guess we have to rely on the integrity of the viewer and a little luck.

  • yes, yes, i know what you mean, these days my work has gone minimal, inspired by agnes martin and changes in life. the work does not always read as well
    as I’d like and i continually try different ways of lighting and tinkering with photo-shop (which sometimes doesn’t feel right)
    also, for some reason these days it seems that the way
    you illustrate your work with words serves nearly the same purpose as the actual visual.

  • Richard Tuttle comes to mind as an artist all about subtlety. His work does not translate on the computer screen either. So, you’re in good company.


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